When Queen Elizabeth II gave birth to her second son in 1960, the property developers of Lalor, a new suburb in Melbourne, decided to honour the bonny prince by naming a street after him, Prince Andrew Avenue.
How times have changed.
The loyalty Australians felt towards the Crown back then was, as Andrew himself has now made clear, somewhat misguided. What once symbolised honour, decency and tradition now symbolises betrayal, debauchery and, if one obscure page in the recently released Epstein files is anything to go by, accessory to murder. Who’d want to live on a street like that?
Curiously, the residents are ambivalent.
Asked by local authorities if they want the street renamed after someone who is not a key member of a powerful pedophile ring, the good burghers of Prince Andrew Avenue said they couldn’t be bothered changing it. “I’ve got no problems with it being called Prince Andrew Avenue,” resident Liam McCallum later told The Age. “It’s just a street name.”
And that’s the issue. It wasn’t “just a street name” in 1960. The loyalty to the Crown that formed a reassuring catalyst for postwar Australia’s emerging, independent culture might have been misguided, but at least it was loyalty to something. What’s replaced it in these postmodern, post-colonial, post-religious, post-whatever times is at best a boring form of ennui, at worst a depressingly vacuous, suicidal nihilism.
In their defence, there is one valid reason why the residents might be reluctant to change the name of Prince Andrew Avenue. One of the consequences of all this cultural disengagement is the emergence of a bureaucracy that makes everything twice as complex as necessary in order to justify its own existence. One imagines that changing a street name these days is no longer a matter of a single clerk filling out a simple form and sending a man with a ladder and a screwdriver out to change the signs, but instead requires focus groups, a First Nations cultural sensitivities survey and an environmental impact statement.
You can sympathise with residents who might have calculated that all that bureaucracy is more daunting than simply having to crack the same “It’s between Hitler Street and Stalin Crescent” joke on the rare occasions they are asked to provide their street address.
But that’s only because modern Australian culture offers no other alternative. Pretty soon the suburb will be filled with Third World immigrants anyway, and the historical significance of Prince Andrew Avenue will be as familiar to the street’s residents as lamingtons are to Somalian street vendors.
This destruction of institutions and dilution of culture are alarming enough. But they fit a much larger, even more alarming global pattern, of which the Covid lockdowns, vaccine rollouts, Paris Agreement, mass immigration, censorship and the forthcoming central bank digital currencies are just the latest examples.
Until this week, only conspiracy theorists imagined that the whole thing had been cooked up by a shadowy cabal whose proxies masquerade as democratically elected representatives. But as Mark Steyn, among others, puts it, it’s all so improbable “that someone must have consciously implemented it”.
It certainly makes you wonder anew about the culture wars here in Australia, which began in the early 1990s under Paul Keating. “We must remake Australia,” he said on Australia Day 1992, a mere month after wrestling the prime ministership from Bob Hawke. Keating was preoccupied with severing ties with the monarchy and reinventing Australian culture, although he never did get around to fully explaining what he intended to replace it with. All he said was that we would be more multicultural and “confident”.
We now know that multiculturalism was partly a ruse to fill western Sydney electorates — Keating’s included — with Muslims whose unwillingness to assimilate and dependance on welfare made them reliable Labor voters, a strategy whose fruition can be measured by the number of dead bodies on the beach at Bondi on 14 December. The supposed “confidence” imbued in his vision was just a red herring to help his sycophants in the media sell the idea. Thirty years of multiculturalism later, Australia is less confident than it’s ever been. In hindsight it is clear Keating was more interested in stroking his own massive ego than serving his constituents.
But at least he was original. Or an early adopter. The Keating playbook of enriching a nation by diminishing its original culture and criminalising criticism has since been adopted and embellished by Tony Blair, Justin Trudeau, Emanuel Macron, Keir Starmer, Mark Carney and now Spanish Prime Minister Pedro Sánchez, most of who managed to last longer in office by at least appearing to be slightly less like obnoxious wankers.
This cabal has some characteristics in common, and occasionally overlaps, with Jeffrey Epstein’s powerful network. In old emails released this week, Epstein occasionally referred to “goyim”, the pejorative term elitist Jews use to refer to inferior non-Jews, which isn’t a million miles from Keating’s attitude to ordinary Australians. (Keating’s daughter, Katherine, was drawn into Epstein’s social circle in New York in 2011 through her friend Prince Andrew. There is no suggestion, of course, that either she or her father had anything to do with Epstein’s unsavoury activities.)
Australians quickly saw through him, though, and elected John Howard in a landslide soon afterwards, in 1996. Howard’s victory would have been flawless if not for one person: Pauline Hanson. Hanson began that election campaign as the Liberal candidate for Oxley, a working-class seat in the outer suburbs of Brisbane. She was disendorsed on the eve of the election after she controversially but sensibly said that Aboriginal welfare was “reverse discrimination”. She ran as an independent and won the seat anyway.
She immediately became a thorn in Howard’s side. In her maiden speech, she said Australia was “in danger of being swamped by Asians… (who) have their own culture and religion, form ghettos and do not assimilate.” She also called for multiculturalism to be abolished.
Howard was torn. He had to mollify his Asian counterparts and the burgeoning domestic Asian constituency, but couldn’t outright dismiss Hanson because her white supporters were his supporters too. In many ways he even agreed with her on multiculturalism.
He was forced to respond not with principles but with political expediency, hoping Hanson would one day go away. She didn’t, and now, by sticking doggedly to the principles upon which she was elected 30 years ago, she is more popular than the Coalition Howard once led, not to mention a viable threat to the cabal.
Keating explained his opposition to Hanson in a famous speech he delivered at the University of NSW in November 1996, eight months after being ousted from office. It was titled The Myth of Monoculture.
“The great tragedy of the shamelessly regressive politics of Pauline Hanson is not so much that it is rooted in ignorance, prejudice and fear, though it is; not so much that it projects the ugly face of racism, though it does; not so much that it is dangerously divisive and deeply hurtful to many of her fellow Australians, though it is; not even that it will cripple our efforts to enmesh ourselves in a region wherein lie the jobs and prosperity of future generations of young Australians, though it will — the great tragedy is that it perpetrates a myth, a fantasy, a lie. The myth of monoculture. The lie that we can retreat to it.”
Hanson’s surging popularity is yet another rejection of Keating’s pretentious blend of enforced, bland multiculturalism and submission to globalism. Besides, our culture was never a “monoculture”. Through the British, we inherited more than 2000 years of Western Civilisation, the richest cultural heritage in the world. They might not quote Plato and Socrates to each other in the front bars and worksites around the nation, but ordinary Australians know this instinctively. Despite the crap we’ve been dished up lately, we still think of ourselves as lucky. Conventional politicians hate that, because it reduces our gullibility and dependence on the state.
Hanson is attracting millions of new supporters not because of policy or slick presentation, but because ordinary punters agree with her that mass immigration, climate change and identity politics are retarded. And this is being accelerated by A Super Progressive Movie, the hilarious feature-length animation released by One Nation on Australia Day, which satirises modern Australia with more affection than Keating ever had.
Hanson, a humble fish-and-chip shop proprietor from Ipswich, is leading our culture’s renaissance, and her key message is that there is nothing wrong with Australia being Australian. In fact, it’s the only way the country can survive.
